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"The great thing is to lead a normal life, and not be the slave of your passions. What do you get if not?"
One of Russian literature's most renowned love stories—a vivid and sensitive account of adolescent love, wherein the sixteen year old protagonist falls in love with a beautiful but older woman living next door, thereby plunging into a whirlwind of changing emotions that are heightened by her capriciousness, and leading to a truly heart-rending revelation.
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
- Sales Rank: #1294851 in Books
- Published on: 2004-09-01
- Released on: 2004-09-01
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x .40" w x 5.00" l, .30 pounds
- Binding: Paperback
- 124 pages
Review
"I wanted them all, even those I'd already read."
—Ron Rosenbaum, The New York Observer
"Small wonders."
—Time Out London
"[F]irst-rate…astutely selected and attractively packaged…indisputably great works."
—Adam Begley, The New York Observer
"I’ve always been haunted by Bartleby, the proto-slacker. But it’s the handsomely minimalist cover of the Melville House edition that gets me here, one of many in the small publisher’s fine 'Art of the Novella' series."
—The New Yorker
"The Art of the Novella series is sort of an anti-Kindle. What these singular, distinctive titles celebrate is book-ness. They're slim enough to be portable but showy enough to be conspicuously consumed—tiny little objects that demand to be loved for the commodities they are."
—KQED (NPR San Francisco)
"Some like it short, and if you're one of them, Melville House, an independent publisher based in Brooklyn, has a line of books for you... elegant-looking paperback editions ...a good read in a small package."
—The Wall Street Journal
Language Notes
Text: English, Russian (translation)
About the Author
Ivan Turgenev was born into a wealthy, landed family in Oryol, Russia on October 28, 1818, the son of a chronically philandering cavalry officer and an unhappy, abusive heiress. As a child one of the family serfs read him verses from the Rossiad of Kheraskov, and Turgenev’s early attempts at literature and poetry gave indications of genius. He was sent to study at the University of Berlin in 1838 and returned impressed with German society, believing Russia could best improve itself by incorporating ideas from the Age of Enlightenment. Turgenev made a name for himself, beginning in 1852, with the short-story collection A Sportsman’s Sketches. He followed with the novels Rudin in 1854, A Nest of the Gentry in 1858, and On The Eve in 1859. Yet Turgenev’ s seeming pro-Western philosophy led to a tempestuous relationship with his countrymen—Tolstoy, at one point, challenging him to a duel—and his masterpiece Fathers and Sons, released in 1862, went largely unappreciated in his home country. Disillusioned, Turgenev wrote progressively less and less, spending ever more time abroad later in life. He died at Bougival, near Paris, on 4 September 1883.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not my favorite of his works
By Keri
I'm used to Turgenev's plays so I was excited to see this short story. Not my favorite of his works.
5 of 5 people found the following review helpful.
"Let us be friends--that's what."
By Syd Dithers
So Zinaida, the 21-year-old object of desire in FIRST LOVE, tells the 16-year-old narrator.
So the accursed "let's be friends" line that objects of desire crush the hearts of men with dates back to at least 1833. (It's probably been around since the dawn of man, but I've heard it since the 1970s).
FIRST LOVE is a short but powerful novella that captures a young man's awakening while exploring all the "ecstacy" and "that slow poison" of adult love.
What struck me about reading it was how little people have changed. Societies and manners may shift a bit but the passions and betrayals that take place in the novel are as dramatic and real as anything you hear about today.
"O youth! youth! you go your way heedless, uncaring--as if you owned all the treasures of the world; even grief elates you, even sorrow sits well upon your brow. You are self-confident and insolent and you say, 'I alone am alive--behold!' even while your own days fly past and vanish without trace and without number, and everything within you melts away like wax in the sun...in the snow...."
For such a short work, there were many such passages that really connected with me. Turgenev was a master.
4 of 5 people found the following review helpful.
Another Tragic Love Story...Plus
By A Customer
Turgenev creates prose so spare, yet so elegant you find yourself rereading entire paragraphs just to try to net some hidden agenda behind the simplicity. Turgenev's influence on Hemingway was probably never more brilliantly expressed than in these understated words from A Moveable Feast: "I had read all of Turgenev...(of Dostoevsky) frailty and madnesss...were there to know as you knew the landscapes and roads in Turgenev..."
This book is more than a simple love story between a young man and an older woman, though the idea of the shortness and depthlessness of young love is an important theme. There are also such themes as the dissolution and fall into poverty of the Russian nobility as seen in Zinaida and her mother, a former princess; the idea of 19th century Russia shrugging off the chains of serfdom and royal dominance is also explored in the vastly superior Fathers and Sons. Another noteworthy theme is alienation from parents and society in general; Vladimir Petrovich is dominated utterly by his menacing father and carking, gossipy mother. He grows to become a bachelor, rehashing his tragic story before a fireplace in an inn. Towards the end of the book, when Vladimir's father, who shares with Vladimir a strong affection for Zinaida, flogs the young girls arm with a riding crop, as well as the threat the father gives to one of Zinaida's numerous suitors, we are made to wonder exactly what part romantic relationships have in the alleviation or exacerbation of violent mental illness, or at least a violent and cold mindset.
This book, however deep and lovingly crafted, is a cipher next to Fathers and Sons. It's also a lot shorter; first time Turgenev readers might want to start here.
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